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Ajax Kallistrate

Miscreant’s Feast

It was a miscreant’s feast that day in the harbor, the guts of the ruptured galley spilling over the sand like a defeated army. Boxes of wax slabs, sheets of tin, coiled wire; a hundred sopping yards of Aqualest wool; glittering shards of glass daubed with precious drops of perfume, solvent, dye, tinctures, spirits. A single unbroken flask of tanner’s eyebright. Seventeen splay-ribbed barrels that had yielded their fermented nectar to the sea at the behest of the rocky shore, and another two dozen kegs stinking of spoilt beer.

It wasn’t the wreckers who took the first prizes. They’d had no hand in the ship’s demise, and were in fact sleeping the deep sleep of the sated only two days after they’d brought down their last victim. It wasn’t the fishers either, who ordinarily would have seen the foundering ship long before the ship could see the shore, for they’d been away already a fortnight on the great herringers in a distant northern sea. And it wasn’t the lonely children hunting for a meal, or escaping from the too freely given blows of their elders, though they would be released from the pinioning gaze of their schoolmaster in time to be the second to plunge eager hands into the ship’s generous gifts.

No, the first was myself, of course. It’s the only reason for my telling this story, and I do have a purpose — bear with me — in telling it the way I have. I’m not a miscreant, or at least not the usual kind. I’m not a thief, or at least not always. I’m a vagrant, a wanderer, an itinerant fortune teller.

I saw the ship that morning from my sandy bed upon the heath. A solitary scrap of sail fluttered like a disconsolate hand from the very top of the broken mast. I knew nothing of ships, but a cold chill echoed through my heart. No mortal could have survived whatever force had taken apart that construction of wood and iron. It heeled one way and then another as it approached the shore, as if in its final moments it agonized over which stretch of yellow sand would make the softest bier to rest upon. I watched, the way one watches the dysrythmic fluttering of a dying bird, fascinated by the movement toward flight and continuity that starts and starts over, but never finds its place and must start again.

Futile.

I didn’t walk down to the beach until the outgoing tide threw up the contents of the ship, one wet-shiny piece at a time. The corner of a sand-swamped box, a sliver of glass reflecting the sun like a tiny beacon, a muddy wad of wool, the lucky bauble of tanner’s eyebright — and the only article among that sorry mass of lost and found wealth that intrigued me enough to draw my bare feet across the stinging heath and into the icy water.

It was a book. A glyph book. I recognized its metal clasp even from across the distance of the waste, as the contorted shape stamped into its unblemished brass seemed to rise above it, dancing like a smoky flame. I recognized it. I’d seen it once before, many years ago. It had been possessed by a rag man, a wanderer, a man very like myself — or perhaps it had possessed him. He told me it held a secret no man wanted to know: the circumstances of his own death.

I hadn’t believed him. I’d still been a young man then, and death had seemed like a foreign thing, a word divorced from ordinary language. Glyph books were of this world, and served only their true masters, and death couldn’t touch so harmless an art. Better tell your tale to the bone-casters and the skin-lifters, the white-eyed devotees of a truth revealed only after a lifetime of oaths and sacrifices. Glyph readers were a new order, a simpler order, and we’d have no truck with any mixing of the two. I’d sent him away.

And now here it was. Thirty years later, and me half a world away from where I’d been, and barren of book and craft and home and my next meal. I can’t tell the story now of my fall from grace, but only that I couldn’t — even had the home and meal been proffered in exchange — refuse the lure of that twisting glyph, that abomination of language, a fusion of the words “yield” and “conquer.”

I walked down to the beach. The book was trapped beneath the remains of the crate in which it had been housed, an iron-bound thing wrenched from its moorings and overflowing with saturated straw. I worried it with a trembling hand, dislodging a splintered board that pierced my skin and let my blood mix with the sea, drop by drop, until I’d freed my prize.

I sat where I was, in the wet sand, with the tide sucking at my bare ankles, and ran my fingers over the battered green leather of the book. It wasn’t oxhide as I’d assumed all those years ago, it was something thinner and yet more resilient, its discolorations only temporary blemishes. I could wipe them away with my hands, and I did, its surface smooth, untorn. Whole. Even after its disaster at sea, it felt after a few moments of care, as if I’d just lifted it from the hallowed shelves of that great underground library.

I walked away, leaving behind the recoverable Aqualest wool, a yard of which would have fed and housed me for a month, and the tanner’s eyebright that wouldn’t have fooled a half-penny shill but would have served a fishwyfe in exchange for a suit of clothes and a pair of shoes, and the tin and the wax, and the coiled wire, the former salvageable for an extravagant price in the inland towns, though the latter’s value had already been greatly diminished by the salt sea. I walked away, back through the heath even as the sharp voices of children echoed up from the gap that separated the coastal village from the shore, as the first of the wreckers woke from dismal sleep, and the herringer fleet turned back toward home with holds near to bursting with their harvest.

The contours of the glyph brushed across my hand like thread, or fine hair. They drew with them lines of fate that clung to them, weighed them down, thickened them into tendrils, vines. I couldn’t turn away from the story they told. The children all, sickened by the dye that had leaked into the sand, would perish that night in their mothers’ arms. The wreckers would trade their unlooked-for boon to a betrayer who would sell them to the lord’s warden, and every man and woman among them would be hanged. The herringers, already bearing for home, would fall afoul of an embargo, and disease and starvation would claim them in a long embrace.

Only one miscreant who had scavenged from the emptied belly of the doomed ship would survive long enough to tell the tale. Myself, of course.

For I am Skyborn, and this is my story.

July 7, 2016

Spider Silk

Her name was Spider Silk.

I never met her myself, of course. She was a ghost, one of those transient spirits who alights for only a moment in the mortal realm — or at least the platform known as Mortis. Eleven-hundred colonists, devotees of an abstemious lifestyle, with a negative birth rate and a predilection for going to bed early. It wasn’t really called Mortis, of course. It never really had a name, just a registration number, one that was forgotten after we lost contact with the overworlds.

But we never forgot Spider Silk.

She came with a growth wave, an influx of outsiders looking for work or enlightenment, or both. We didn’t have sisters and brothers then, only task-mates and task-masters, and Spider Silk had so many she knew no strangers until she reached Mortis. “These are your new people,” one of them said to her. But she saw only raw faces, unsheltered by familiar expressions, and turned away. She wouldn’t work with them and spent her leisure hours alone. Even those who’d known her before now found her strange.

Spider Silk retreated. She went into that twilight place of the mind and soul that knows no solace — also the outer scaffolding of the platform. She nested there, it’s said. She brought with her what a solitary person might need to survive and drew around herself what scraps and flotsam she’d gathered along the way, from her long-ago home and the detritus of the orbiting platform. She lived there alone and cast adrift what she called her ‘messages of the heart,’ tiny orbs of light that flickered in the darkness of space, following the invisible trail of the platform, only to wink out again in a day or two. They signified nothing, as her life signified nothing, and so she paid them no mind.

But they didn’t go unnoticed. For in the overworlds, which were then still the fruit and bloom of our people, there were watchers, and they picked up her colored lights on their instruments. Much was made of them: interpretations, extrapolations, diagrammatical mathematical algorithms, and a brilliant new philosophy that waxed and waned in a matter of hours. Ships were launched, robotic investigative probes, long-range first-contact transmission repeaters. “We’ve found them,” they said. “Those whom we have so long loved and too soon lost.” They mourned and celebrated, and told each other stories, and found and lost hope, until at last a signal was returned.

“We do not know you,” Spider Silk said. “You are lost to us.”

And so Mortis was forgotten. And generations rose and fell, and Spider Silk perished as all mortals perish, and we live on in the echo of a connection never made. The overworlds fell silent. We know this, all of this, only by the absence of a message. Words that never came. For if they had, we would have found joy and a reunion of souls across the galaxy.

This is the story we tell. It’s the only one we know.

July 22, 2015

Hello

I met a woman on the bus. It was a Tuesday in the middle of May. The bus was hot, the air-conditioning off and the windows open. It was crowded, people standing. I sat next to her when a man got up to leave. Her hair was dark with auburn highlights. She had a lunch bag in her lap. She was on her way to work at the sales office on the 36th floor of the big square building I’d taken pictures of the summer I came as a tourist, before I moved here. It was always too cool in the building, she’d say. She was glad the bus was hot, that she could sit by the open window and feel the warm spring breeze.

We’d have lunch together at the little park by the square building. We’d eat at the Thai food cart and discover that we both liked our coffee black, that we liked it later in the day, never in the morning. We’d meet again at the library and share our love of tea cozy mysteries and British detectives. She’d encourage me to write, and three years later she’d be the first to see my acceptance letter and the check that came with it. We’d celebrate at a bistro we’d never eaten at before, where neither of us liked the food, but we’d laugh and buy chocolate on the way back to the bus stop.

Five years later I’d sell my first novel. I’d dedicate the book to her and she’d show it to all her friends. I’d have changed jobs by then, moved to a nearby city. We wouldn’t see each other as often, though we’d always spend Thanksgiving and Christmas together. I’d bring my dog, she’d bring her collection of Miss Marple DVDs. She’d have retired by then. We’d text each other every afternoon, me to share my secret doubts, and she to talk about the birds she fed from her kitchen window. I’d take pictures of the birds. She’d tell me that everyone had doubts, that everyone was afraid sometimes, and that it only meant I was human, and that I should keep writing.

I’d meet someone and fall in love, only to have my heart broken, and resign myself to being alone. She’d be diagnosed with cancer, and move in with me. She’d teach me how to knit, and I’d show her how to write. I’d never make anything more complicated than a hot mitt, and she’d never write anything more moving than a few lines about birdseed, but we’d make a home together. I wouldn’t remember when I’d started calling her Mom. She’d die ten years later, at the age of eighty-six.

That day I saw her on the bus, I sat down next to her. I glanced at her, sidelong. She looked so motherly, like someone I’d want to know. I was shy. I said hello. She didn’t hear me. She didn’t see me. She stood up.

It was her stop. She got off the bus.

November 27, 2014

Sigmund Jho

“Doc,” Jho said to his therapist. “I have an appetite problem.”

“What’s the problem?”

“The problem is that I have one.”

“I see.”

Jho shifted on the couch. It was a new couch. He’d eaten the last one on his previous visit. This one wasn’t nearly as comfortable and smelled vaguely of Bitter Apple. “I can’t stop myself.”

“Why would you want to?”

“You don’t understand.” Jho swung his narrow head toward the doc. Ropes of drool swung back and forth. “I want to eat everything. Birds, small children. Bricks.”

“Well, why don’t you?”

“Sometimes I do.” Jho wanted to rub his chin or do something else to indicate deep thought. But his Tyrannosaurus arms were too short, and besides, he never really thought very deeply. “The problem is those hunters.”

“The ones with bowguns and longswords?”

Jho nodded. “They always bring meat and I can’t help but eat it — every single time.”

“What’s wrong with that?”

“It’s tainted meat!”

The doc tapped her chin with a ball-point pen. “I see.”

Jho was jealous of the chin tapping. Also, the pen. “It paralyzes me and then they beat the crap out of me. Pierce ammo is even worse.”

“Have you tried not eating the meat?”

“Of course.” Jho glared at the doc, but his eyes were too tiny for anyone to notice. Usually he just roared when he got pissed off. “But it’s like trying not to breathe. Sometimes I start going for the meat before they even put it on the ground.”

“I see.” The doc wrote a note on her memo pad. It was a real memo pad, made from 98% post-consumer waste, but Jho knew the note was fake: he’d peeked one day, and all she ever did was draw cartoons — of him. “I think I have a solution.”

“So do I.” Jho rolled off the couch. His drool darkened the carpet. “I’m hungry.”

The doc glanced up at him, then back down at her memo pad. She was probably making his dumb, bulbous jaw look even dumber and more bulbous. “Have you considered going on a diet?”

“I’m on a diet right now.” Jho took a long breath and roared. “And you’re my RDA of human flesh!”

The doc didn’t even look up. “I’m sure,” she said. “But let’s not forget I have a bowgun.”

Jho laughed, spewing saliva on the walls. “I ate all your pierce ammo!”

This time the doc did look up. “Oh, really?” She reached into a drawer. “Then how about dessert?” She pulled out a bright blue slab of aptonoth meat.

“No!” Jho drooled. “Don’t!”

The doc dropped the meat onto the carpet. “Help yourself.”

“Shit.” Jho slurped up the meat. So tasty! He took one woozy step backwards and keeled over with a thump. He snored like a train engine.

The doc pressed a button on her office phone. “Henry, make a new appointment for Mr. Deviljho,” she said. “Oh, and bring me a couple of L+ bombs while you’re at it.”

June 21, 2015

wishbone

why does emotional wreckage haunt us?
(i'm always at least a little bit lost.)

we move so fast but do we go anywhere?
or are we like trees, rooted in our lives.

two seeds encompassing separate
universes of potential become
two trees in separate universes,

both uncomplaining subjects of
their places in the world, of
their microclimates, of shade,
sun, elevation, weather,
competition for water.

they don't get to choose where
and when damp soil awakens
them any more than apes decide
where and when to be born
and into what precarious
social networks.

it's the agony of choice that defeats us
moment by moment, the mistaken belief
that no roots bind us, that no walls block
out the warmth, that the open sky alone
determines where our reach meets its
limitations.

trees feel no grief, no loneliness, no despair.
they endure. they live, they grow, they die.
they fall, they sift into soil, decay.

or are we discrete organisms at all?
or are we only entries in a bestiary

manufactured by the neural pathways
left behind by natural selection, by
those primitive shapes that fell one
into the other, by those coincidental
keys that opened coincidental locks,
those streams of particles flowing
through the skulls of self-considering
apes, electrical entities that can't see
backwards into space or time, only
inwards, the master originators who
declare this pool of signals suffering,
enfolding it within a length of
judgement,

this is wrong, a sin, a fault, or
this shall be excused, ignored,
elevated into grace.

trees make no such distinctions.
fill in the spaces between the
branches and the tree becomes
negative.

whatever we are, we exist, we need.
one moment of joy, one moment of
grief. we pass along the dendritic
stream into an unreachable sky.

(suffering dislodged from its context
is never senseless.)

May 30, 2022

let go, make peace

life is pain, suffering, confusion, disappointment, impermanence. death.

it can’t be fixed, changed, redirected, repaired, improved, perfected.

life is unfair. it can’t be made fair, equitable, just.

to believe otherwise is an illusion.

we still have moments of choice. pivotal moments.

but they mean less than we think they do, less than we hope they do, less than we need them to.

you can forcibly change the narrative. you can fool people, fool yourself.

but you can’t fool human nature. it goes on without you. the rest of life on earth goes on without you. the universe goes on without you, continuing to expand long after you and your politics are gone.

make peace with it.

make peace with your life, your vulnerabilities, your illusions. with all the needs you can’t fulfill. with the happiness you can’t achieve, the failures you can’t explain, the successes that didn’t ease your despair.

let go.

listen.

be humble.

even if you don’t understand, right now, in this moment, be still.

take a deep breath.

to be alive, to be human, to be conscious, is to suffer. so rethink your assumptions about suffering. about pain, about confusion, disappointment, impermanence. death.

let go.

step down.

bow your head.

you can’t understand it all. you can’t control it all. you can’t make every right choice, or even know what every right choice is.

in the end, it doesn’t matter.

you will suffer. you will die.

i suffer. i will die.

everyone we know suffers, even if it’s alone, in silence. and someday they will die.

in light of all that, what really matters?

what matters to you?

May 15, 2022

Then, there was a next day

Sometimes when two people each have half of something, you don’t get a whole when you put them together. Sometimes you still have two halves.

May 14, 2015

Woman in White

by Elijah M. Newton*

The woman in white dress lives in the hole
walls come in groups of four
I’m sure the man in the mirror told me so
he wears my face not me my face like Halloween
but children love Santa more.

Mother says boys behave rewards are given
Mother wore white and was ladylike
Father was gone told to look in mirror to find him
Mother never made sense.

Money is found at the bank had a roommate once
a frog perhaps poured peroxide on my hair
Chicago now Albany frustrating really
it was bleach a total mess
the mouse laughed with me
he wears a top hat lives in hole with woman in white.

They’re married I think.

Virgil lives in my veins pumping through my heart
like faucet feeds the hunger to share
secrets are meant to be kept
it’s ok to share dream though.

One day words being hard to find he came out
the mouse not Virgil told me he was magick
magick exists in the minds of children pure
imagination left me.

There was a potion was not free
but mice don’t need money
he was after my heart cheese
“NO!” shouted me at the mouse
ran no scurried to the hole
haven’t seen him since.

Woman in white is nicer whispers to me at night
darkness hides things 'specially secrets.

I love woman in white reminds me of Mother
she told me great many things
but Mother made no sense woman too.

Work is work not meant to be fun
friendly woman at bus port smiled
I liked that wanted to make her steak that night
steak comes from cows live on farms
went there once a park too.

Woman didn’t want steak
I didn’t like that decided to make

in-spir-a-tion

She lives now in between the blue lines
pen broke can’t clean stain from carpet
broken useless it sleeps now in dumpster.

Sat at the desk wrote until the sun
woke up long page I felt better
went to work
work is work
boss told me he needed more from me
“I’m poor not much to give!” shouted at him.

He didn’t like that
it wasn’t my fault.

Told me “start making sense can’t understand me"
“im not Mother. Mother she never made sense. Father left money.”
this confused me but he gave me number
to magick woman just mouse in disguise
offered me potion capsules.

I don’t take them
can’t afford them
mice don’t need money.

Persistent ran home but he beat me there
now in mouse body with top hat
smiled at me reading my paper.

Snatched from his tiny paws hated it
told me so I believe him
me too kept paper though
told me so offered tiny hand in important task.

“Mice don’t need money! No cheese, go home tell woman in white!”

July 4, 2020

* Originally an unfinished short-fiction piece reformatted by Ajax.

cowboy

Why do your keys make so happy a jingle on a dull day in March? like a puppy dog at the door, welcome! welcome! it's a good day!
hello! you're home!

Forty-eight years old and I slouch with my knees apart
like a cowboy
if a cowboy
was a middle-aged woman in artificially distressed denim and dirty hiking boots.

What's important? Love and art.

Forty-eight years old and I swagger with my wallet chain chiming against my box-cutter like spurs ching! ching!
like a cowboy
if a cowboy was a rejected product of the unraveling American middle-class.

When did I last watch the sun rise? decoupled from time and space because it can't be rushed, can't be squeezed in between errands and dishes and feeding the cats, because there's no app to replace it, because every single one is unique, because it'll never come again.

Forty-eight years old and I sigh when the weight of old pain and everyday grief feels too heavy on my back
like a cowboy
if a cowboy was a bird-beaked old woman trying to do the right thing without a guide, a tutor, a mentor, a helpmeet.

Who am I isn't a question I can afford to answer when nobody is good enough to earn a living. (The interest would kill me.)

Forty-eight years old and I'm finally the person I wanted to be at fourteen.

If I'm invisible it's because I choose to be invisible.

If I put up with someone's shit it's because I choose to put up with their shit, for love or money.

I don't have to,

I choose.
I survive.

like a cowboy

if a cowboy was more than an old-fashioned symbol of self-reliance, independence, substance, courage, and strength, more than a man whose character, in accordance with stereotype, was honed by adversity, a man who doesn't care about the show but about the story it tells, a man who understands that it's not about the having of it, but the earning of it, a man who lives in no man's shadow, a man whose cares are etched into every line on his face, in his limp, his swollen joints, in every gray hair, every wrinkle, every mole, a man who doesn't complain, but keeps on walking, keeps on working, a man who shapes his life with his hands,

if a cowboy was an American ideal that even a forty-eight year old woman can aspire to in a dusty dry-room shifting banana boxes from one place to another.

It's not that I wanted to be a man, it's that I wanted to live up to masculine ideals.

April 3, 2022

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