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Ajax Kallistrate

this day

the wide-set eyes of the bus
through the leaves of the trees
in July set my heart afloat
above the viscera of urban
daylight on a misty morning
of red brick and hot concrete.

call it what you will. naivete.
a relic of unsophisticated two-
dimensional suburban geometry.
(i'll grant you.)

the landscapes of cities,
of this city, roll through me
wavering waving trembling
quaking aspen shouldering a
burdenless frame of sixty-three
inches of glass and peeling paint.

resistless dissymmetry.

neighbors gray bearded sidewalk chalk
and sneakered steps rise with a rusty
rail all jointed to touch the sky,
palms up, content to face the same
traffic light for a hundred years.

lovely indifference!

(i can't countenance in people
what i seek in structure.)

open out secret corner turns
into the prettiest summer breath.
how could it not? amblers, reflected
heat shimmer, an elevated pitch
all selling a walk as a long string of
bright green, even that moment.
standing alone at the bus stop.
an approaching future. one day,
just another day.
but this day.
this day.

May 7, 2021

wicked

some rooted hollow place
where underneath the lips of the
skull the lever pries loose the tolling
of a bell in bronze or steel (i can never
tell) ringing deep and bovine in an
eclipse of shadows that fall in
wash out sink subside
across a flat
plane
un-
done
by a single
strand of nervous
attention (undone washed
out) curling up rising into the dome
of space overhead drinking deep
from the shelter of wicked
wicked talons

May 6, 2021

i walk

i walk to remind myself that i'm free.
i can walk away from this job.
i can walk away from this city.
i can walk away from my home,
from my friends. from you.

i can walk away and keep on walking.

but you remind me that i don't have to.
you remind me that i can choose to stay.
i can make my stand here.
i can make a home.
i can make a life. with my friends.
with you.

i have a choice. and i choose. to stay.
for now.

May 6, 2021

green haze

green haze through spring rain nets
cloud reflected glass walls in perfect
symmetry of pink and white translucent
petals trembling with beads of fractured
gold illuminating chlorophyll windows
a thousand thousand times shimmering
shimmering gentle drops down

May 4, 2021

i am (redux)

I am a butterfly (I wrote, so long ago)
but only the worm part.
(I had no wings.)

We're all larvae (I suppose) at first.
Bloated neonates spilling milk-like
from the lips of proud opportunists
bursting with individualized pressure
differentials as familial as overripe fruit.

But my own squirming made no end.
I spun no cocoon in which to pupate,
to mature.
I remained instead an ugly,
useless thing.
A parasitic load of bad math.
A function of prone contemplation over
a mouthful of dirt,
unpalatable even to a hungry bird.
(I have no wings.)

But (perhaps) a life forged in the
interstices of other people's momentary
lapses can still be a pretty good life.

And so we've come to an arrangement,
myself and my liberty,
an exchange of time and space for a spiritual
stipend conducted by direct-deposit to an
opportunity-cost ATM.
(We don't get in each other's way out
of mutual respect.)

There's no longer any benefit in my doubt,
no half measures in my cups,
no pity in my patter,
but no matter how small (smaller,
smallest) I get,
I still can't afford the
premium on regret.

So I cut coupons,
trimming affectionate sales for a course
in Friendship and trading in the dog-watch
for a footsore list I'd otherwise do without.
(I cant these days.)

I'm no butterfly (nor worm,
I suppose).
Granny knotted puppet strings are all
the flightless aviation I can manage in
between twice divided transactional
assets of emotional freight.

(Ask around!)

But that doesn't make me a failure.

No.
I will blink out unhindered,
a sort of self-sufficient land-bound
crustacean pinked by a circulating
reminder of the original amnion.
(I do tend to forget.)
And in the meantime I will follow in my
own hesitant sidesteps a path forged by
its own absence.
(How can I do otherwise?)

Sensitive instruments require
sensitive recalibration.
I hum.
Buzz.
Shimmy and flutter.
(I'll never fly.)
I watch with compound eyes a
kaleidoscopic mosaic of past and present,
unable to translate impulses into any
fixed point,
a blind spotted future standing at the
intersection of tissue and electronic traffic.
I described it once.
I opened my mouth and words flowed
through me as if it were not me speaking,
as if the sounds were born as nakedly
tressed as Athene,
unincubated in their first fragile moments,
untended after by a loving overseer,
unguided by lighted road markers toward
their destination before being committed
to the execution of the soft palate.

I was given a name. For this phenomenon
is one wholly unfamiliar to me.

It was called.

I heard. (I'm not. But I could be.
Sometimes.)

To be.

(I already am.)

April 23, 2021

carpe diem

carpe diem you spring canaries! you
miser's ministers drawing closed
the curtains on the new mint-
ed day. how easily you step
aside
back
out
with
draw
ab
stain
remove your
selves from any risk taking
chances stepping in
side front and
center with
us
me
our go

ahead!

i'll walk alone, out of earshot, and
treasure dust for honesty.

better yet, i'll fly to stronger wings than
yours, you flapping lips, you phantasmal
featherweights, and leave you to your
own devices of self-service and
obdurate loyalty to be pre-
served like corks in a bottle.

me? i've got no background no
retreat no hallowed palace
full of old companions to
sustain me if i turn away
from a hand out-
stretched to
take my
own,
so

i
piece together a
constellation of bright-eyed
polestars to guide my steps
through weedy fields
of indifferent
strangers
to

teach me how to love! how to

appreciate the human capacity for being
in a state of grace, how to lift my eyes
beyond the universal accident that un-
folds ever outward in waves of chance
and portent, like hands grasping
(take my hand)
and let-
ting
go
and grasp-
ing other hands
until love fills in the gaps left
behind by the rearing of apes by apes,
until there are no broken souls,
until there are no wounds too deep to heal,
until we can release each other's pain with
an unwavering gaze, a word, a touch, until

no one of us is ever again pierced by the sin-
gular agony of forsaken loneliness. so

come talk to me. walk with me.

we're kin. for a moment. for-

ever.

for

now.

April 17, 2021

always

is this in the service of love?
these thoughts, these words, these actions?

am i loving freely, with an encircling heart,
embracing joy and grief alike? can i make
space for a friend? to speak, to feel, to find
a way out?

how do you put it into words? the answer is
that you don't have to.

i will stand in that fictitious space
where all receding points meet.
where the two-headed coin spins
because joy and grief are the same,
because an overflowing outpouring
stamp on the heart is an imprint of
letting go that has to be set free,
to fall, to fly. i stand aside. i will
hold you with open arms. i'm here.
i will meet you where you are.

is this in the service of love?

when i speak let my words come from my
better self.

when i listen let my heart be open to the
wisdom of other hearts.

when i act let compassion alone be my guide.

to forgive, to uplift, to let go.
to fall or fly.
to be free.

always in the service of love.

March 31, 2021

seat of the soul

when annihilation changes
the equation and unnumbered
pinion feathers no longer
uplift the soul but
pierce the heart
and set it
adrift in
a foreign
body as joy
melts in
the mouth
of grief
and the future
thins into trans-
parency invisibil-
ity disappear-
ing into an endless
inescapable present
a wheel that spins and
spins until everything looks
the same until there is no refuge
for a refugee until there is
no exit except the last
exit until the beam
shifts and the
calculation
corrects
itself
and
some
one
some
where is
lost.

March 29, 2021

Cordelia’s body

King Lear's fundamental flaw was never
pride. nor arrogance. nor vanity.
it was only that he was a man
who had grown old.

no one needed him.

not his wives, who were dead. nor
his daughters, who were married or
about to marry. not even his country,
whose reins he was entrusting to
younger men.

King Lear had become superfluous.
a man who was no longer
a man.

until that final moment, when
he was granted one last chance
to shine as a father,
as a king,
as a man.

and failed.

March 29, 2021

three breaths

the sun broke through gray clouds
for the space of three breaths
i looked up
i felt looked upon
acknowledged
visible
for the space of three months
i will not soon
forget

March 26, 2021

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